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Fang Mask Ngil Society Large Gabon African Art

$ 100.32

Availability: 65 in stock
  • Original/Reproduction: Original
  • Material: Wood, pigment
  • Item must be returned within: 30 Days
  • Restocking Fee: No
  • Tribe: Fang
  • Return shipping will be paid by: Buyer
  • Maker: Fang Artisan - Africa
  • Refund will be given as: Money back or replacement (buyer's choice)
  • All returns accepted: Returns Accepted

    Description

    Type of Object
    Mask
    Country of Origin
    Gabon
    People
    Fang
    Materials
    Wood, pigment
    Approximate Age
    20th century
    Height (in)
    28
    Width (in)
    9
    Depth (in)
    7
    Overall Condition
    Fair. Most of our pieces have spent decades on at least two continents, and have been treasured by several owners.   Small splits, scrapes and cracks are a normal part of their patina attesting to their age and extensive use.  We examine each piece carefully when we receive it and report any damage we find in our listings.  Please look carefully at the pictures which may also reveal condition and damage.
    Damage/Repair
    Chipped back edges, natural wood flaws, chipped mouth, water marks
    Additional Information
    :
    Well known for their reliquary figures the Fang also danced finely sculpted masks during a number of ritual activities. Among the Fang white-painted masks identified with the Ngil society are known for their elegant abstractions of the human face. Ngil masks have been described as having a 'heart-shaped face' due to the facial features emphasizing refined curves of the orbital ridges above the eyes and the prominent line of the long tapering nose that ended above a discretely mouth carved at the bottom of the chin that completes the abstraction of the face. Ngil masks were worn during initiations and known for judicial and social control activities in searching out sorcerers, a process that ultimately led to their being banned by the French colonial authorities in 1910. A later development among the Fang was the appearance of a mask known as Ngontangan, "the head of the young white girl" referring to early European women missionaries who arrived on the coast during the nineteenth century. The mask may have had ritual or ceremonial meaning in the past exorcising malevolent sorcerers but appears not to carry significant symbolic weight today. Though few in number the elegant forms and abstractions of the Ngil masks made them very attractive to early modern European artistic sensibilities serving as models for a number of sculptors. While emphasizing its pure forms, the mask's white color also marks its spiritual identity.
    Further Reading:
    Binet, J. Societes de danse chez les Fang, (Paris, 1972)Fernandez, J. 'La statuaire Fang-Gabon', African Arts, 8, No.1, 1974.Fernandez, J. W. and R. L. 'Fang Reliquary Art: Its Quantities and Qualities.'Cahiers d'etudes africaines, 15, No. 5. (1975)Perrois, L. Statuaire fang, (Paris, 1972)Perrois, L. Sculpture traditionelle du Gabon, (Paris, 1977)Perrois, L. 'Arts du Gabon, Les arts plastiques du Bassin de l'Ogoue', Arts d'Afrique Noire. 1979. Perrois, L. Arts ancestral du Gabon dans les collections du Musee Barbier-Mueller, (Geneva, 1985)Phillips, T, (ed.) Africa, The Art of a Continent, (Munich, 1995)Roy, C. Art and Life in Africa, (Iowa City, 1992)Schmalenbach, W. African Art from the Barbier-Mueller Collection, (Geneva,1988)Tessmann, G. Die Pangwe, (Berlin and New York, 1913(1972)
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